AVAS letterpress wood type logo

The Acoustic Vibration Appreciation Society

Acoustic vibrations existed long before humanity. They have always been a frequency humming in the background. We are here to simply appreciate them.

Asheville, N.C. Est. Hume-Fogg, 1991 Reconvened 2025
Hear the Record Meet the Six
Sanders, Krekel and Pond mid-tune
Pond · Sanders · Krekel
Now Upcoming shows
Thu, Aug 6 · 6:00 pm AVL Sounds Festival The Orange Peel · Asheville, NC Tickets → Fri, Sept 4 · 5:00 pm Earl Scruggs Music Festival Foggy Mountain Stage · Mill Spring, NC Tickets →
Inspired By: Strength In Numbers · John Hartford · Bill Frisell · The Mahavishnu Orchestra · Väsen · Raymond Scott · Sun Ra · Earl Scruggs · Green Acres Music Hall · Steve "Little King" Metcalf
I. The Story

Stop telling acoustic music where it can't go.

Jay Sanders, Jason Krekel, and Andy Pond arrived in the mid-1990s from Nashville and Boone, carrying the progressive acoustic fire that Béla Fleck, Jerry Douglas, Edgar Meyer, Sam Bush, and Strength in Numbers had lit, and immediately began building the infrastructure of a scene. The three were the backbone of the early Snake Oil Medicine Show, writing music together that would become the foundation of AVAS' original compositions and showcasing them on legendary stages such as Be Here Now.

Sanders joined Acoustic Syndicate in 1997, spending a quarter century with one of the foundational bands in progressive acoustic music. Krekel went on to co-found the Firecracker Jazz Band and The Krektones, the surf-rock trio that channels Link Wray through the mountains, and fronts Krekel & Whoa. Andy Pond continued to spread the message of universal peace and music with Snake Oil, and his compositional prowess carried him all the way to Carnegie Hall.

Born when Green Acres was still the mythical incubator for progressive acoustic music, AVAS became a vehicle for the question Earl Scruggs first posed when he started bending the rules. Sanders, Pond, and Krekel manifested what had been an informal musical society into a recording and touring act, releasing their self-titled debut on Steve Metcalf's Little King Records in 2000.

Instrumental, improvisational, through-composed, steeped in bluegrass vocabulary but reaching toward Bill Frisell, Scandinavian folk, Raymond Scott, and the cosmic fusion of Sun Ra and John McLaughlin — AVAS was the sound of Asheville's early progressive acoustic scene, and remains one of its most adventurous. The Mahavishnu influence ran deep enough that AVAS was cited in Walter Kolosky's Power, Passion and Beauty.

Tradition isn't a boundary, it's a launchpad.

Where the fundamental vibrations are older than any genre, and fiddle, banjo and guitar can still open doorways nobody knew were there.

Twenty-five years later, AVAS has reconvened with a lineup that expands the original vision with polyrhythms and voices the trio gathered through a quarter century of musical evolution.

AVAS waveform wordmark print by Jason Krekel
The band, instruments forward
The band posed with banjo, guitar and fiddle
The band pointing their instruments
II. The Players

The Six

Guitar01

Jay Sanders

Grew up in Nashville understanding that music is labor — not the Broadway version, but the practice rooms where Reggie Wooten talked about fundamental vibration, sacred geometry, and the Music of the Spheres. Later, in Knoxville, he spent extended time with Samurai Celestial of Sun Ra's orbit, absorbing a cosmology in which sound is not entertainment but architecture.

Twenty-five years with Acoustic Syndicate. Bass for Donna the Buffalo. The avant-garde E.Normus Trio. Guitar and bass across 47 states and six countries. In 2024 came Evanescent; after Helene came Sinfonietta Helene, premiered by the Blue Ridge Orchestra.

  • Ornette Coleman · Béla Fleck · Fred Wesley
  • Little Jumbo — USA Today Best Bars 2025
  • Founded the Improvisational Music Festival
Banjo02

Andy Pond

A fearless and eclectic voice on the five-string. Hybrid picking — three-finger, single-string, and frailing at once — makes a palette of rhythm, drive, and melody that fuses Appalachian tradition with funk grooves, world music, and electronic enhancement.

When he enrolled at Appalachian State, his brother George and George's then-wife Caroline joined him to form Snake Oil Medicine Show — old-time string music inflected with jam-band pockets, rockabilly smoothness, and reggae rhythms learned on trips to Jamaica.

  • Black Mozart Ensemble · Carnegie Hall
  • Pond Brothers · Blackhole Bluegrass Boys
  • Teacher — world peace through music and art
Fiddle, Guitar & Strings03

Jason Krekel

Attended Jimmy Buffett concerts as a baby, strapped to his father Tim's back while dad played lead guitar. Tim handed him a guitar at 14 with zero pressure attached; he and Jay Sanders played their first gig together at Hume-Fogg in the 11th grade. In AVAS he covers fiddle, guitar, and whatever else has strings on it.

Three decades spanning roots, garage rock, jazz, bluegrass, hot jazz revival, surf, and punk ukulele. He designs covers and posters through his Hand-Cranked Letterpress — the prints on this page are his.

"Everything I've done in my musical life has informed how I play now."

  • Krekel & Whoa · The Krektones
  • Firecracker Jazz Band · Bam-A-Lam
  • BlueBrass Project · David Letterman
Clarinet & Flute04

Will Boyd

Out of the soul sax tradition of Eddie Harris, Hank Crawford, David "Fathead" Newman, King Curtis, and Johnny Hodges. Queens by way of Orangeburg, South Carolina — in professional R&B bands before he turned eighteen.

Studied at Tennessee with Jerry Coker, South African free jazz visionary Zim Ngqawana, and Donald Brown of the Jazz Messengers. Coker called him a modern musician steeped in tradition. Frequencies from someplace deep and ancient.

  • Leslie Odom Jr. · Regina Carter · Monk'estra
  • Teaches at UNC Asheville & Warren Wilson
  • Three solo albums, incl. Freedom Soul Jazz
Bass05

Zack Page

When Zack's father Pete gave him a bass and Andy Pond a guitar for their 12th Christmas, a bond was forged that has now stretched three decades. Jazz ensembles, theater companies, and the cruise industry took him to all 50 states, the Caribbean, Australia, South America, Europe, and the Far East — plus Montreux while still in college.

"Zack has the hallmark of every great musician: he makes everyone around him better." — Justin Ray

  • The Core · Montreux Jazz Festival
  • Basically every other jazz musician in WNC
  • Upright & electric · all 50 states
Drums06

Alan Hall

His grandparents were Spanish dancers on the vaudeville circuit; his grandfather wrote pop songs. The family had been in the business of moving people's bodies for generations. Hall picked the instrument that does it most directly.

On bandstands at thirteen with a San Jose party band called Los Unicos. At seventeen he won the Percussive Arts Society's eight-state drum set competition. Berklee, then two years of private study with Alan Dawson — rudiments, tunes, and twenty-five-minute warm-up meditations.

  • Paul McCandless · Lee Konitz · Taylor Eigsti
  • Cirque du Soleil · Teatro Zinzanni · Wicked
  • Founded the Asheville Jazz Collective
III. Little King Records, 2000

The Record

Acoustic Vibration Appreciation Society Album Cover

Sixteen tracks. Sixty-nine minutes. Recorded live and mixed at Collapseable Studios in West Asheville across October and November of 1999 by Aaron Price and Bill Reynolds, where racks of clothing made for excellent sound baffles.

Produced by AVAS and Jason Krekel. Executive production by Steve Metcalf.

Personnel

  • Jason Krekel — Mandolin, Producer, Artwork
  • Jay Sanders — Acoustic Bass
  • Andy Pond — Banjo
  • Gaines Post — Flute
  • Cailen Campbell — Fiddle
  • Jeremy Saunders — Alto & Soprano Sax, Guitar (12)
  • Michael McCanless — Fiddle (4, 6, 11, 15)
  • Aaron "Woody" Wood — Guitar (16)

1999 album credits: Mastered by Mike Brantley · Mixed by Aaron Price & Bill Reynolds · Sleeve photography by Ami Worthen & Sandra Bishop · Graphics by Keith Bowman

  1. 01Cement Creek3:33
  2. 02Mahavishnuing5:11
  3. 03Harbin Road4:39
  4. 04Bed of Leaves2:46
  5. 051/4 Gypsy5:37
  6. 06King Don's Jig3:49
  7. 07The Grog Pond5:07
  8. 08Schmaaaken5:07
  9. 09Blueberry Breakdown2:30
  10. 10Waiting On the Reverend5:02
  11. 11Bonypop's Retreat5:07
  12. 12A Gatsby Complex5:37
  13. 13Old Trieste3:09
  14. 14Malagheney Half-step2:32
  15. 15Terrestrial Skyview6:10
  16. 16Nick's Brown Couch3:57

A live album, AVAS — Live Vol. 1, followed in 2001.

IV. Lineage

A quarter-century arc

1991

Hume-Fogg, Nashville

A student club inside a Gothic Revival stone building with two-foot walls and underground tunnels. Sanders and Krekel play their first gig together in the 11th grade. Gaines Post brings a flute.

1993

Boone

Sanders starts a weekly jazz jam at the BeansTalk coffee house. "This wild scene of all these great, amazing musicians," as George Pond put it.

1995

Snake Oil Medicine Show

Sanders and Krekel join the Pond family's band. Reggae rhythms learned in Jamaica meet old-time string music. Green Acres Music Hall becomes home turf.

1999

Collapseable Studios

Sixteen tracks cut live in West Asheville, October and November. Steve Metcalf writes the check.

2002

Emerald Lounge → Rocket Club

A taping-friendly decade. Soundboards and audience recordings from Asheville, Boone, and points between land in the Live Music Archive.

2007

Diaspora

Gaines Post moves to the Blue Mountains of Australia and starts writing science fiction. Cailen Campbell takes up permaculture in Barnardsville. The frequency goes quiet, not away.

2025

The AVAS Continuum

December 2 at Little Jumbo. Sanders, Krekel, and Pond with Page, Boyd, and Hall — back to a bar on Broadway Street where the listening is close and the art on the walls doesn't quite make sense.

In memory of

Michael McCanless

Fiddle · d. Feb. 3, 2003

"What began as a student club has evolved into a living organism — a sentient musical algorithm that spans decades and continents, pulling its scattered members back together like cosmic debris orbiting an invisible singularity."

V. Recordings

Listen

Live at Green Acres

AVAS red linocut print Bandcamp The original Little King recording Sixteen tracks, 2000 → avas1.bandcamp.com Live Music Archive Taper recordings, 2002–2010 Emerald Lounge · Moonshine Café · The Rocket Club
VI. Mail, Merch & Messages

Keep in touch

Mailing list

Shows, new recordings, and whatever comes off the press next. No noise between.

Booking & correspondence

Rooms, festivals, tape trades, or a question about a tune from 1999.

Store Shirts, stuff & music Merch and recordings, sold direct. store.avasmusic.com →